justrob on BudgetPixel
@justrob · 8/26/2026
This is the same prompt run through five models. I was mixing Motley's night lighting with Benton's stretched bodies, so watch how the blue shadows and the warm orange dress fight in each version. The faces tell you how far each model goes toward mask-simplified, and the little dog is a good test of how the crowd compresses. Models, in order: 1. gpt-image-2 2. seedream-5.0-pro 3. nano-banana-2-lite 4. flux-2-pro 5. grok-imagine-image-2 Reference image: https://www.arthistoryproject.com/site/assets/files/33222/archibald_motley-gettin_religion-1948-trivium-art-history-1.1200x0.webp
![[Harlem Renaissance painting of elegantly dressed Black couples swing dancing to a jazz band on a lit 35th Street night]](https://cdn.budgetpixel.com/posts/2917/1787755891849501792-8f9622d0-c383-484d-963c-fe62c06e27f4.png)
Tags: Harlem Renaissance art, jazz age painting, 1920s street party, Black American art, swing dancing, vintage New York scene, Harlem street scene, jazz band artwork, night street painting, Black community celebration, brownstone neighborhood, vintage market storefront, African American cultural art, lively street gathering, 1920s fashion illustration
AI Model: gpt-image-2
Prompt: Archibald Motley Jr. + Thomas Hart Benton + oil on panel, where Motley's single-source nocturne modelling floods a low-key field from one artificial glow, forcing warm highlights against cold shadow and massing figures into simplified silhouettes, and Benton's elastic elongation stretches bodies into rubbery rhythmic sway built from rounded sculptural volumes. The oil finish infuses enamel smoothness, softly blended edges and a glossy darkness. The fusion manifests as low-chroma blue dominance punctured by isolated saturated warm notes, mask-simplified faces, and detail spent only where the light reaches. A lively crowd of Black men and women in 1940s dress, men in suits and fedoras, women in fitted dresses and heels, some carrying trumpets and a trombone, plus a small dog on a leash. Wide street-level scene at eye level, figures densely overlapping across the foreground, a couple dancing at left, a man in a hat gesturing toward a woman in orange, musicians playing mid-ground, a tall lamppost centering the composition, buildings and onlookers receding behind. Scene set on a city street at night, with a busy, festive atmosphere, featuring a corner market, a gabled house with people on its porch, an apartment building with figures leaning from lit windows, and a glowing street lamp.

Tags: Harlem Renaissance art, jazz age painting, 1920s block party, Black American fine art, street party scene, vintage urban night art, oil painting, dancing couples, brass band performance, historic Black community, 1920s fashion, New York street scene, celebratory artwork, neighborhood gathering, nightlife illustration
AI Model: seedream-5.0-pro
Prompt: Archibald Motley Jr. + Thomas Hart Benton + oil on panel, where Motley's single-source nocturne modelling floods a low-key field from one artificial glow, forcing warm highlights against cold shadow and massing figures into simplified silhouettes, and Benton's elastic elongation stretches bodies into rubbery rhythmic sway built from rounded sculptural volumes. The oil finish infuses enamel smoothness, softly blended edges and a glossy darkness. The fusion manifests as low-chroma blue dominance punctured by isolated saturated warm notes, mask-simplified faces, and detail spent only where the light reaches. A lively crowd of Black men and women in 1940s dress, men in suits and fedoras, women in fitted dresses and heels, some carrying trumpets and a trombone, plus a small dog on a leash. Wide street-level scene at eye level, figures densely overlapping across the foreground, a couple dancing at left, a man in a hat gesturing toward a woman in orange, musicians playing mid-ground, a tall lamppost centering the composition, buildings and onlookers receding behind. Scene set on a city street at night, with a busy, festive atmosphere, featuring a corner market, a gabled house with people on its porch, an apartment building with figures leaning from lit windows, and a glowing street lamp.

Tags: Harlem Renaissance art, jazz block party, 1940s street scene, Black American fine art, swing dancing painting, vintage neighborhood celebration, brass jazz band, mid century urban art, Black joy artwork, night street party, Harlem nightlife, nostalgic oil painting, community celebration, African American cultural art, vintage cityscape
AI Model: nano-banana-2-lite
Prompt: Archibald Motley Jr. + Thomas Hart Benton + oil on panel, where Motley's single-source nocturne modelling floods a low-key field from one artificial glow, forcing warm highlights against cold shadow and massing figures into simplified silhouettes, and Benton's elastic elongation stretches bodies into rubbery rhythmic sway built from rounded sculptural volumes. The oil finish infuses enamel smoothness, softly blended edges and a glossy darkness. The fusion manifests as low-chroma blue dominance punctured by isolated saturated warm notes, mask-simplified faces, and detail spent only where the light reaches. A lively crowd of Black men and women in 1940s dress, men in suits and fedoras, women in fitted dresses and heels, some carrying trumpets and a trombone, plus a small dog on a leash. Wide street-level scene at eye level, figures densely overlapping across the foreground, a couple dancing at left, a man in a hat gesturing toward a woman in orange, musicians playing mid-ground, a tall lamppost centering the composition, buildings and onlookers receding behind. Scene set on a city street at night, with a busy, festive atmosphere, featuring a corner market, a gabled house with people on its porch, an apartment building with figures leaning from lit windows, and a glowing street lamp.

Tags: Harlem Renaissance art, Black American artwork, street jazz party, 1950s street scene, nighttime block party, dancing couples art, African American figurative painting, mid century urban life, Black joy illustration, nostalgic neighborhood gathering, brass jazz band, retro Black culture, residential street celebration, vintage community art, historical Black heritage
AI Model: flux-2-pro
Prompt: Archibald Motley Jr. + Thomas Hart Benton + oil on panel, where Motley's single-source nocturne modelling floods a low-key field from one artificial glow, forcing warm highlights against cold shadow and massing figures into simplified silhouettes, and Benton's elastic elongation stretches bodies into rubbery rhythmic sway built from rounded sculptural volumes. The oil finish infuses enamel smoothness, softly blended edges and a glossy darkness. The fusion manifests as low-chroma blue dominance punctured by isolated saturated warm notes, mask-simplified faces, and detail spent only where the light reaches. A lively crowd of Black men and women in 1940s dress, men in suits and fedoras, women in fitted dresses and heels, some carrying trumpets and a trombone, plus a small dog on a leash. Wide street-level scene at eye level, figures densely overlapping across the foreground, a couple dancing at left, a man in a hat gesturing toward a woman in orange, musicians playing mid-ground, a tall lamppost centering the composition, buildings and onlookers receding behind. Scene set on a city street at night, with a busy, festive atmosphere, featuring a corner market, a gabled house with people on its porch, an apartment building with figures leaning from lit windows, and a glowing street lamp.

Tags: Harlem Renaissance art, vintage street party, 1920s nightlife, jazz band painting, night street scene, vintage couple dancing, retro urban art, 1930s America, community street gathering, oil painting, warm lamplight art, Black history artwork, brass band illustration, vintage fashion art, historic urban scene
AI Model: grok-imagine-image-2
Prompt: Archibald Motley Jr. + Thomas Hart Benton + oil on panel, where Motley's single-source nocturne modelling floods a low-key field from one artificial glow, forcing warm highlights against cold shadow and massing figures into simplified silhouettes, and Benton's elastic elongation stretches bodies into rubbery rhythmic sway built from rounded sculptural volumes. The oil finish infuses enamel smoothness, softly blended edges and a glossy darkness. The fusion manifests as low-chroma blue dominance punctured by isolated saturated warm notes, mask-simplified faces, and detail spent only where the light reaches. A lively crowd of Black men and women in 1940s dress, men in suits and fedoras, women in fitted dresses and heels, some carrying trumpets and a trombone, plus a small dog on a leash. Wide street-level scene at eye level, figures densely overlapping across the foreground, a couple dancing at left, a man in a hat gesturing toward a woman in orange, musicians playing mid-ground, a tall lamppost centering the composition, buildings and onlookers receding behind. Scene set on a city street at night, with a busy, festive atmosphere, featuring a corner market, a gabled house with people on its porch, an apartment building with figures leaning from lit windows, and a glowing street lamp.
Comments
MagnusGibson
Cool!
archangeltara
WOW beautifully created on ALL of these
base451121
Zauberhaften Vergleichen!! Großartig Rob!!
justrob
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If i notified you here, and you dont want me to do so - let me know and I will gladly remove you from my notify lists!
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