Vintage ink illustration of a witch flying on a broom — AI art by @justrob

AI Model: SeeDream 5.0 Pro

Prompt: Gustave Doré + Arthur Rackham + sepia ink on tea-stained foxed paper, where Doré's wood-engraving crosshatching creates graded tonal depth through line density and soft-edged glowing light, and Rackham's nervous, gnarled pen contour produces brittle, spiky edges beside solid ink-black masses via wash-backed linework, and the stained paper infuses mottled foxing, scorched margins and uneven fibre absorption. The fusion manifests as single-pigment sepia hatching, dense line in shadow, bare paper in highlights, transforming any subject through etched, antique pen handling. A witch in a pointed hat and tattered ragged cloak, riding a broomstick, with one arm extended ahead and long hair trailing behind her. Wide shot at eye level, the witch in profile astride her broomstick with one arm reaching forward, the full moon directly behind her, bats scattered around her, a vine-wrapped post topped by a scarecrow-like figure overlapping the right foreground, graveyard and cathedral far beyond. Scene set in a graveyard beside a gothic cathedral at night under a full moon, featuring a bare thorny tree, leaning headstones, scattered skulls and bones, and cobwebs strung across the upper corner.

AI Model: Nano Banana 2 Lite

Prompt: Gustave Doré + Arthur Rackham + sepia ink on tea-stained foxed paper, where Doré's wood-engraving crosshatching creates graded tonal depth through line density and soft-edged glowing light, and Rackham's nervous, gnarled pen contour produces brittle, spiky edges beside solid ink-black masses via wash-backed linework, and the stained paper infuses mottled foxing, scorched margins and uneven fibre absorption. The fusion manifests as single-pigment sepia hatching, dense line in shadow, bare paper in highlights, transforming any subject through etched, antique pen handling. A witch in a pointed hat and tattered ragged cloak, riding a broomstick, with one arm extended ahead and long hair trailing behind her. Wide shot at eye level, the witch in profile astride her broomstick with one arm reaching forward, the full moon directly behind her, bats scattered around her, a vine-wrapped post topped by a scarecrow-like figure overlapping the right foreground, graveyard and cathedral far beyond. Scene set in a graveyard beside a gothic cathedral at night under a full moon, featuring a bare thorny tree, leaning headstones, scattered skulls and bones, and cobwebs strung across the upper corner.

AI Model: Muse Image 1.0

Prompt: Gustave Doré + Arthur Rackham + sepia ink on tea-stained foxed paper, where Doré's wood-engraving crosshatching creates graded tonal depth through line density and soft-edged glowing light, and Rackham's nervous, gnarled pen contour produces brittle, spiky edges beside solid ink-black masses via wash-backed linework, and the stained paper infuses mottled foxing, scorched margins and uneven fibre absorption. The fusion manifests as single-pigment sepia hatching, dense line in shadow, bare paper in highlights, transforming any subject through etched, antique pen handling. A witch in a pointed hat and tattered ragged cloak, riding a broomstick, with one arm extended ahead and long hair trailing behind her. Wide shot at eye level, the witch in profile astride her broomstick with one arm reaching forward, the full moon directly behind her, bats scattered around her, a vine-wrapped post topped by a scarecrow-like figure overlapping the right foreground, graveyard and cathedral far beyond. Scene set in a graveyard beside a gothic cathedral at night under a full moon, featuring a bare thorny tree, leaning headstones, scattered skulls and bones, and cobwebs strung across the upper corner.

AI Model: Grok Imagine

Prompt: Gustave Doré + Arthur Rackham + sepia ink on tea-stained foxed paper, where Doré's wood-engraving crosshatching creates graded tonal depth through line density and soft-edged glowing light, and Rackham's nervous, gnarled pen contour produces brittle, spiky edges beside solid ink-black masses via wash-backed linework, and the stained paper infuses mottled foxing, scorched margins and uneven fibre absorption. The fusion manifests as single-pigment sepia hatching, dense line in shadow, bare paper in highlights, transforming any subject through etched, antique pen handling. A witch in a pointed hat and tattered ragged cloak, riding a broomstick, with one arm extended ahead and long hair trailing behind her. Wide shot at eye level, the witch in profile astride her broomstick with one arm reaching forward, the full moon directly behind her, bats scattered around her, a vine-wrapped post topped by a scarecrow-like figure overlapping the right foreground, graveyard and cathedral far beyond. Scene set in a graveyard beside a gothic cathedral at night under a full moon, featuring a bare thorny tree, leaning headstones, scattered skulls and bones, and cobwebs strung across the upper corner.

AI Model: GPT-Image-2

Prompt: Gustave Doré + Arthur Rackham + sepia ink on tea-stained foxed paper, where Doré's wood-engraving crosshatching creates graded tonal depth through line density and soft-edged glowing light, and Rackham's nervous, gnarled pen contour produces brittle, spiky edges beside solid ink-black masses via wash-backed linework, and the stained paper infuses mottled foxing, scorched margins and uneven fibre absorption. The fusion manifests as single-pigment sepia hatching, dense line in shadow, bare paper in highlights, transforming any subject through etched, antique pen handling. A witch in a pointed hat and tattered ragged cloak, riding a broomstick, with one arm extended ahead and long hair trailing behind her. Wide shot at eye level, the witch in profile astride her broomstick with one arm reaching forward, the full moon directly behind her, bats scattered around her, a vine-wrapped post topped by a scarecrow-like figure overlapping the right foreground, graveyard and cathedral far beyond. Scene set in a graveyard beside a gothic cathedral at night under a full moon, featuring a bare thorny tree, leaning headstones, scattered skulls and bones, and cobwebs strung across the upper corner.

AI Model: FLUX 3

Prompt: Gustave Doré + Arthur Rackham + sepia ink on tea-stained foxed paper, where Doré's wood-engraving crosshatching creates graded tonal depth through line density and soft-edged glowing light, and Rackham's nervous, gnarled pen contour produces brittle, spiky edges beside solid ink-black masses via wash-backed linework, and the stained paper infuses mottled foxing, scorched margins and uneven fibre absorption. The fusion manifests as single-pigment sepia hatching, dense line in shadow, bare paper in highlights, transforming any subject through etched, antique pen handling. A witch in a pointed hat and tattered ragged cloak, riding a broomstick, with one arm extended ahead and long hair trailing behind her. Wide shot at eye level, the witch in profile astride her broomstick with one arm reaching forward, the full moon directly behind her, bats scattered around her, a vine-wrapped post topped by a scarecrow-like figure overlapping the right foreground, graveyard and cathedral far beyond. Scene set in a graveyard beside a gothic cathedral at night under a full moon, featuring a bare thorny tree, leaning headstones, scattered skulls and bones, and cobwebs strung across the upper corner.