Cracked marble classical bust with a swirling floating cluster…

Prompt

Gian Lorenzo Bernini + Gustave Doré + Igor Morski, where Bernini's theatrical baroque marble carving should give every figure swirling drapery and frozen motion, Doré's densely packed ascending crowds should organize the mass into a rising, tumbling cloud of bodies, and Morski's surreal photo-manipulation should make the cracked-head concept seamless and hyperreal. The fusion should manifest as a photorealistic marble photomontage in monochrome ivory with gilded accents and a warm glowing halo. A classical white marble bust of a bearded man with short wavy hair and a draped toga on a square pedestal, skull cracked open at the crown, erupting with dozens of Greek gods, heroes and muses as living statues, an archer drawing a bow, a winged figure, a bronze-armored warrior, a serpent-haired gorgon, a gold-helmeted goddess with shield, draped dancers mid-shout, marble shards flying outward. Scene set in a pure black void during a timeless mythic moment, with dramatic, reverent atmosphere and a soft amber glow haloing the figure cluster, featuring broken column fragments, cracked stone slabs, floating marble chips, gold leaf highlights on crowns, helmets and armor, strong vertical poster composition with the bust anchored low and the explosion of figures blooming upward like smoke.

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