@justrob
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Posts by @justrob · page 13
2,574 public posts · page 13 of 108
+5The sixth version drops the colonnade and puts him against a plain grey-green studio wall, so the long shadows and the depth are gone and...
+5Five of these are night shots: wet pavement, red neon bleeding into the background, a black mask with a stitched grin. The sixth is the o...
2026-Oct-24 : First Post of the Day Rooster on a Barn
+5The first three look like a worn printed cover, scuffed at the edges with cream paper showing and white spatter through the grain, while ...
+5One prompt, six models, and the widest gap is in the paint itself. The first and fourth stay powdery and matte, while two and three come ...
+5The light is the thing that moves most. The second and fourth stay pale, cream sand under a soft yellow haze, while the fifth pushes a lo...
+5Five of these stick with the plate idea: skeleton, moon, a few bare trees, the paper doing a lot of the work. The fifth opens up a whole ...
+4The light on her skin is what separates these. The second one keeps it flat and a little washed, like a flash going off in a crowded room...
+4I wanted Turner's dissolving haze under Monet's loaded dabs, crisp dark edges kept for the near hulls only. I ran that across five models...
2026-Oct-23 : First Post of the Day Rooster
+4The third one drops the raised hand entirely, both hands on the suitcase, and the robe slips further off her shoulders. Same room, same d...
+4The mouth is where these drift apart. Same vampire, same raised fists, but how far the jaw drops and whether the fangs actually read chan...
+4The target is a woman holding a bumblebee against her chest, seated in a night garden with a disc behind her head. Watch the line work: w...
+4Look at the hands on the katana. Some versions keep the fingers separate, cream highlights sitting on the flush of each knuckle, and othe...
+5Most of these land on the same bargain: glossy modelling on the woman, flat painted circles behind her. nano-banana-2-lite takes the othe...
+4red hair, brass and leather, two oil lanterns hanging behind her in a dark room. The face is the first tell, whether the highlights on sk...
+4The gold is what shifts from version to version. Sometimes it sits in the wet cobbles as separate flecks, sometimes it climbs the lamp po...
+4Only the fourth version dropped the engraved hatching and smoothed the dog's coat into soft airbrushed patches, which reads as a differen...
+5First pass came back as a plain frontal portrait of a sturdy woman, naturalistic skin and nothing stylised about it. Rewriting the descri...
+5First pass came back eye level, with a cream lace train against black and a busy ornamented room. I moved the camera to the floor beside ...
2026-Oct-22 : First Post of the Day Rooster Resplendent
+5The same sepia witch portrait, foxed and cracked like an old print, went through six models, and they disagree most about the halation ar...
+5The prompt was an attempt at Mucha's crisp contour lines over Elvgren's glossy rounded shading, with airbrush smoothing it all into ename...
+5Six models, one prompt, and a brief written to land on a painting that already exists: wet strokes at the face, dry scumble in the wall b...